Friday, April 24, 2020
Yellow Wallpaper And Darling Essays - The Darling,
  Yellow Wallpaper And Darling    In Charlotte Perkins Gilman's, ?The Yellow Wallpaper?, and Anton  Chekhov's, ?The Darling?, we are introduced to main characters with lives  surrounded by control. In Gilman's, ?The Yellow Wallpaper?, the main  character, which remains nameless, is controlled by her husband, John. He tells  her what she is and is not allowed to do, where she is to live, and that is she  is not permitted to see her own child. In Chekhov's, ?The Darling?, the  main character, Olenka, allows her own opinions and thoughts to be those of her  loved ones. When John puts the narrator into the room, she writes in despite of  him telling her that she should not. At the end of her first passage, the  narrator tells us, ?There comes John, and I must put this away ? he hates to  have me write a word?. The narrator was told that writing and any other  intellectual activity would exhaust her. The only thing that exhausts her about  it is hiding it from them. The narrator tells us, ?I did write for a while in  spite of them; but it does exhaust me a good deal ? having to be so sly about  it, or else meet with heavy opposition?. Conrad Shumaker suggests that John  believes that if someone uses too much imagination then they will not be able to  figure out reality. ?He fears that because of her imaginative  ?temperament' she will create the fiction that she is mad and come to accept  it despite the evidence ? color, weight, appetite ? that she is well.  Imagination and art are subversive because they threaten to undermine his  materialistic universe? In Gilman's ?Why I Wrote the Yellow Wallpaper?,  Gilman tells us that when she was sent home from the rest cure, Dr. Mitchell  gave her ?solemn advice to ?live as domestic a life as far as possible,'  to ?have but two hours intellectual life a day,' and ?never to touch pen,  brush, or pencil again' as long? as she lived. The narrator cannot even be  around or raise her baby. John hired a nanny, Mary, to take care of him. This  even makes her more nervous. The narrator tells us, ?It is fortunate Mary is  so good with the baby. Such a dear baby! And yet I cannot be with him, it makes  me so nervous?. In this short story, the narrator was forced to stay without  her baby. In the introduction Thomas L. Erskine and Connie L. Richards tell us,  Gilman was ?very much like her father in important ways, for she  ?abandoned' her daughter to her husband and like him, preferred to deal with  her emotions at a distance ? in letters, books, or in her fiction?. From  this we see that Gilman actually had a choice on whether to be without her  child. In the story, the narrator was told not to have her child around because  of stress. When the narrator tells about the room, she says, ?I don't like  our room a bit. I wanted something downstairs that opened to the piazza and had  roses all over the window, such pretty old-fashioned chintz hangings! But John  would not hear of it?. The room has barred windows and ?rings and things in  the walls?. The narrator hates the ugly yellow wallpaper, but when she wanted  John to change it, he told her ?that I was letting it get the better of me,  and nothing was worse for a nervous patient than to give way to such fancies?.  Every time the narrator asked John for a different room, he threatens her with a  room in the basement. Personally, I believe that John is doing everything wrong  to help the narrator. Treating her like a child did not help her get well, it  was her own strength at the end of the story that made her well again. John told  the narrator not to write, see her child, and which room to live in. In  Chekhov's, ?The Darling?, Olenka's opinions changed with and as often as  her husbands. When she was married to Kukin, the manager of a theatre, all of  her thoughts were of the theatre. Whatever ?Kukin said about the theatre and  the actors she repeated.? She repeated these things as if she loved the  theatre her entire life. She never even spoke of the theatre until Kukin came  into her life. Only three months after Kukin dies, she meets Pustovalov, a  timber merchant, and marries him. She started talking about timber as if ?she  had    
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